Name |
Number |
Ceremony |
Year |
Film(s) |
Academy Awards |
Woody Allen |
2 |
50th |
1977 |
Annie Hall |
Best Director, Best Original Screenplay |
Richard Attenborough |
2 |
55th |
1982 |
Gandhi |
Best Picture, Best Director |
John Barry |
2 |
39th |
1966 |
Born Free |
Best Original Score, Best Original Song |
Cecil Beaton |
2 |
37th |
1964 |
My Fair Lady |
Best Art Direction (color), Best Costume Design (color) |
Robert Benton |
2 |
52nd |
1979 |
Kramer vs. Kramer |
Best Director, Best Adapted Screenplay |
Bernardo Bertolucci |
2 |
60th |
1987 |
The Last Emperor |
Best Director, Best Adapted Screenplay |
Kathryn Bigelow |
2 |
82nd |
2009 |
The Hurt Locker |
Best Picture, Best Director |
Mark Boal |
2 |
82nd |
2009 |
The Hurt Locker |
Best Picture, Best Original Screenplay |
Paul N.J. Ottoson |
2 |
82nd |
2009 |
The Hurt Locker |
Best Sound Editing, Best Sound Mixing |
James L. Brooks |
3 |
56th |
1983 |
Terms of Endearment |
Best Picture, Best Director, Best Adapted Screenplay |
James Cameron |
3 |
70th |
1997 |
Titanic |
Best Picture, Best Director, Best Film Editing |
Michael Cimino |
2 |
51st |
1978 |
The Deer Hunter |
Best Picture, Best Director |
Ethan Coen |
3 |
80th |
2007 |
No Country for Old Men |
Best Picture, Best Director, Best Adapted Screenplay |
Joel Coen |
3 |
80th |
2007 |
No Country for Old Men |
Best Picture, Best Director, Best Adapted Screenplay |
Pierre Collings |
2 |
9th |
1936 |
The Story of Louis Pasteur |
Best Original Story, Best Adapted Screenplay |
Sam Comer |
2 |
23rd |
1950 |
Sunset Boulevard;
Samson and Delilah |
Best Art Direction (black & white);
Best Art Direction (color) |
Francis Ford Coppola |
3 |
47th |
1974 |
The Godfather Part II |
Best Picture, Best Director, Best Adapted Screenplay |
Kevin Costner |
2 |
63rd |
1990 |
Dances with Wolves |
Best Picture, Best Director |
Richard Day |
2 |
15th |
1942 |
This Above All;
My Gal Sal |
Best Art Direction (black & white);
Best Art Direction (color) |
Walt Disney |
4 |
26th |
1953 |
The Living Desert;
The Alaskan Eskimo;
Toot, Whistle, Plunk and Boom;
Bear Country |
Best Documentary (Feature);
Best Documentary (Short Subject);
Best Short Subject (Cartoon);
Best Short Subject (Two-Reel) |
Hans Dreier |
2 |
23rd |
1950 |
Sunset Boulevard;
Samson and Delilah |
Best Art Direction (black & white);
Best Art Direction (color) |
Clint Eastwood |
2 |
65th |
1992 |
Unforgiven |
Best Picture, Best Director |
Clint Eastwood |
2 |
77th |
2004 |
Million Dollar Baby |
Best Picture, Best Director |
Roger K. Furse |
2 |
21st |
1948 |
Hamlet |
Best Art Direction (black & white), Best Costume Design (black & white) |
Sheridan Gibney |
2 |
9th |
1936 |
The Story of Louis Pasteur |
Best Original Story, Best Adapted Screenplay |
Mel Gibson |
2 |
68th |
1995 |
Braveheart |
Best Picture, Best Director |
Michael Gore |
2 |
53rd |
1980 |
Fame |
Best Original Score, Best Original Song |
Paul Haggis |
2 |
78th |
2005 |
Crash |
Best Picture, Best Original Screenplay |
Marvin Hamlisch |
3 |
46th |
1973 |
The Way We Were;
The Sting |
Best Original Score, Best Original Song;
Best Adapted Score |
Leigh Harline |
2 |
13th |
1940 |
Pinocchio |
Best Original Score, Best Original Song |
Edith Head |
2 |
23rd |
1950 |
All About Eve;
Samson and Delilah |
Best Costume Design (black & white);
Best Costume Design (color) |
Gordon Hollingshead |
2 |
18th |
1945 |
Hitler Lives?;
Star in the Night |
Best Documentary (Short Subject);
Best Short Subject (Two-Reel) |
Gordon Hollingshead |
2 |
19th |
1946 |
Facing Your Danger;
A Boy and His Dog |
Best Short Subject (One-Reel);
Best Short Subject (Two-Reel) |
James Horner |
2 |
70th |
1997 |
Titanic |
Best Original Score, Best Original Song |
Ron Howard |
2 |
74th |
2001 |
A Beautiful Mind |
Best Picture, Best Director |
John Huston |
2 |
21st |
1948 |
The Treasure of the Sierra Madre |
Best Director, Best Adapted Screenplay |
Peter Jackson |
3 |
76th |
2003 |
The Lord of the Rings: The Return of the King |
Best Picture, Best Director, Best Adapted Screenplay |
Alan Jay Lerner |
2 |
31st |
1958 |
Gigi |
Best Adapted Screenplay, Best Original Song |
Thomas Little |
2 |
15th |
1942 |
This Above All;
My Gal Sal |
Best Art Direction (black & white);
Best Art Direction (color) |
Henry Mancini |
2 |
34th |
1961 |
Breakfast at Tiffany's |
Best Original Score, Best Original Song |
Joseph L. Mankiewicz |
2 |
22nd |
1949 |
A Letter to Three Wives |
Best Director, Best Adapted Screenplay |
Joseph L. Mankiewicz |
2 |
23rd |
1950 |
All About Eve |
Best Director, Best Adapted Screenplay |
Catherine Martin |
2 |
74th |
2001 |
Moulin Rouge! |
Best Art Direction, Best Costume Design |
Leo McCarey |
2 |
17th |
1944 |
Going My Way |
Best Director, Best Original Story |
Alan Menken |
2 |
62nd |
1989 |
The Little Mermaid |
Best Original Score, Best Original Song |
Alan Menken |
2 |
64th |
1991 |
Beauty and the Beast |
Best Original Score, Best Original Song |
Alan Menken |
2 |
65th |
1992 |
Aladdin |
Best Original Score, Best Original Song |
Alan Menken |
2 |
68th |
1995 |
Pocahontas |
Best Original Score, Best Original Song |
Ray Moyer |
2 |
23rd |
1950 |
Sunset Boulevard;
Samson and Delilah |
Best Art Direction (black & white);
Best Art Direction (color) |
Walter Murch |
2 |
69th |
1996 |
The English Patient |
Best Film Editing, Best Sound |
Marc Norman |
2 |
71st |
1998 |
Shakespeare in Love |
Best Picture, Best Original Screenplay |
Sydney Pollack |
2 |
58th |
1985 |
Out of Africa |
Best Picture, Best Director |
A. R. Rahman |
2 |
81st |
2008 |
Slumdog Millionaire |
Best Original Score, Best Original Song |
Tony Richardson |
2 |
36th |
1963 |
Tom Jones |
Best Picture, Best Director |
Gary Rydstrom |
2 |
64th |
1991 |
Terminator 2: Judgment Day |
Best Sound, Best Sound Effects Editing |
Gary Rydstrom |
2 |
66th |
1993 |
Jurassic Park |
Best Sound, Best Sound Effects Editing |
Gary Rydstrom |
2 |
71st |
1998 |
Saving Private Ryan |
Best Sound, Best Sound Effects Editing |
Stephen Schwartz |
2 |
68th |
1995 |
Pocahontas |
Best Original Score, Best Original Song |
Edward Selzer |
2 |
22nd |
1949 |
So Much for So Little;
For Scent-imental Reasons |
Best Documentary (Short Subject);
Best Short Subject (Cartoon) |
Ben Sharpsteen |
2 |
31st |
1958 |
White Wilderness;
Ama Girls |
Best Documentary (Feature);
Best Documentary (Short Subject) |
Richard M. Sherman |
2 |
37th |
1964 |
Mary Poppins |
Best Original Score, Best Original Song |
Robert B. Sherman |
2 |
37th |
1964 |
Mary Poppins |
Best Original Score, Best Original Song |
Howard Shore |
2 |
76th |
2003 |
The Lord of the Rings: The Return of the King |
Best Original Score, Best Original Song |
Steven Spielberg |
2 |
66th |
1993 |
Schindler's List |
Best Picture, Best Director |
Richard Taylor |
2 |
74th |
2001 |
The Lord of the Rings: The Fellowship of the Ring |
Best Visual Effects, Best Makeup |
Richard Taylor |
2 |
76th |
2003 |
The Lord of the Rings: The Return of the King |
Best Costume Design, Best Makeup |
Dimitri Tiomkin |
2 |
25th |
1952 |
High Noon |
Best Original Score, Best Original Song |
Marcel Vertès |
2 |
25th |
1952 |
Moulin Rouge |
Best Art Direction (color), Best Costume Design (color) |
Frances Walsh |
3 |
76th |
2003 |
The Lord of the Rings: The Return of the King |
Best Picture, Best Adapted Screenplay, Best Original Song |
Ned Washington |
2 |
13th |
1940 |
Pinocchio |
Best Original Score, Best Original Song |
Billy Wilder |
2 |
18th |
1945 |
The Lost Weekend |
Best Director, Best Adapted Screenplay |
Billy Wilder |
3 |
33rd |
1960 |
The Apartment |
Best Picture, Best Director, Best Original Screenplay |
Stan Winston |
2 |
64th |
1991 |
Terminator 2: Judgment Day |
Best Makeup, Best Visual Effects |
Robert Wise |
2 |
34th |
1961 |
West Side Story |
Best Picture, Best Director |
Robert Wise |
2 |
38th |
1965 |
The Sound of Music |
Best Picture, Best Director |
Joseph C. Wright |
2 |
15th |
1942 |
This Above All;
My Gal Sal |
Best Art Direction (black & white);
Best Art Direction (color) |
Fred Zinnemann |
2 |
39th |
1966 |
A Man for All Seasons |
Best Picture, Best Director |